(navigation image)
Home Animation & Cartoons | Arts & Music | Community Video | Computers & Technology | Cultural & Academic Films | Ephemeral Films | Movies | News & Public Affairs | Prelinger Archives | Spirituality & Religion | Sports Videos | Television | Videogame Videos | Vlogs | Youth Media
Search: Advanced Search
Anonymous User (login or join us) Upload

View movie

[item image]
View thumbnails
Run time: 23 minutes 2 seconds

Play / Download (help[help])

(99.0 M)Ogg Video
(516.2 M)MPEG4


All Files: HTTP

Resources

Bookmark

Clifford B. WestHarry Bertoia's Sculpture (1965) (1965)

You are using our new video/audio player!
I prefer flash (when possible)
Give us feedback!

Born in Italy in 1915, Bertoia eventually moved to Michigan, attended Cass Technical High School, where he was introduced to metals, and moved on to the Cranbrook Academy, where he met fellow student Clifford West. Shortly after his marriage in 1943 (West was his best man), Bertoia moved to California at the behest of his friend Charles Eames, and collaborated on the design of the famous Eames Chair, produced by Knoll Associates. In the 1950s, he set up his own studio in Bally, Pennsylvania, where he designed the well-known Bertoia Chair, also for Knoll. Soon, he was experimenting with sculptures of different alloys and patinas, and would create musique-concrète soundscapes utilizing his sculptures. He died in 1978, a victim, says West, of heavy metal poisoning, acquired as a result of his constant proximity to metals and chemicals. From a cinemagraphic and sound perspective, this is West's most progressive film, as abstract in filmmaking technique as the sculptures themselves. Opening with the camera slowly moving over what appears to be the surface of the moon, it suddenly falls back to reveal instead the texture of a sculpture. The film is one of constant motion, resulting from the vertiginous movements of West's camera, or the movement built into the sculptures themselves. The music, played by Bertoia, utilizing various objects alternately hammering or caressing his sculptures, is reminiscent of the work of Xenakis. From the perspective of West's career, the film marked the beginning of a new, bolder approach to camera movement, as seen in later films such as Bronze: River of Metal(1972), and The Art of Rolf Nesch: Material Pictures(1972). Visit http://www.afana.org/westbio.htm for more on filmmaker Clifford West.


This movie is part of the collection: Academic Film Archive of North America

Director: Clifford B. West
Producer: Clifford B West
Production Company: OIP Films
Sponsor: Bente Torjusen, Barbara & David Roby
Audio/Visual: sound, color
Keywords: Clifford B West


Individual Files

Movie Files MPEG4 Ogg Video
HarryBertoiasSculpture1965.mp4 516.2 MB
99.0 MB
Image Files Animated GIF Thumbnail
HarryBertoiasSculpture1965.mp4 359.0 KB
4.8 KB
Information FormatSize
HarryBertoiasSculpture1965_files.xml Metadata [file]
HarryBertoiasSculpture1965_meta.xml Metadata 2.7 KB

Be the first to write a review
Downloaded 720 times
Reviews


Terms of Use (10 Mar 2001)